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Rosalie Gascoigne : a catalogue raisonné

Author: Martin Gascoigne; Australian National University Press.
Publisher: Canberra : Australian National University Press, 2019
Edition/Format:   eBook : Document : Biography : EnglishView all editions and formats
Summary:
Rosalie Gascoigne (1917-1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana.  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Gascoigne, Martin.
Rosalie Gascoigne : A Catalogue Raisonné.
Canberra : ANU Press, ©2019
Named Person: Rosalie Gascoigne; Rosalie Gascoigne
Material Type: Biography, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Martin Gascoigne; Australian National University Press.
ISBN: 9781760462352 1760462357
OCLC Number: 1103671371
Description: 1 online resource : illustrations (some color)
Contents: Introduction --
The Artist. Rosalie Gascoigne: A chronology --
Rosalie Gascoigne: Biographical note --
Rosalie's country --
Rosalie's materials --
Flower arrangements, the Academy of Science and ikebana --
The Catalogue Raisonné. Catalogue organisation and terminology --
Catalogue entries --
Appendixes. Appendix 1: Solo exhibitions --
Appendix 2: Selected group exhibitions --
Appendix 3: Works in public collections.
Responsibility: Martin Gascoigne.

Abstract:

Rosalie Gascoigne (1917-1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.

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